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Two separate images of Project Search interns at Kennedy Krieger Institute working

Photo Credit: Kennedy Krieger Institute

In a few days, I’ll be at a graduation—not an unusual event for this time of year, but this graduation will be unique.

It’ll be the culmination of a year of intense learning and internship experiences for six young adults from across the state of Maryland, all of whom have developmental and/or other disabilities. They’ll be graduating from a program called Project SEARCH, which was carefully designed to support individuals with disabilities transition to adulthood by teaching them the skills they need to live in the community at-large, and to find and keep gainful employment.

All six are unique individuals, beloved by their families, friends, teachers and mentors, each with their own dreams and goals, and special, unique talents to offer the workplace. They want to be a part of the world—to live as independently as possible, and to work and contribute to society. They’ve worked so hard this past year, and I can’t wait to celebrate them at their graduation. [continue reading…]

Los Angeles, California, May 30 – On the season premiere of America’s Got Talent, a 22-year-old blind autistic man sang for the judges and earned the golden buzzer, advancing straight to the live shows. Kodi Lee’s voice and piano skills were exceptional, and it is wonderful to see people with disabilities succeed and be represented on reality television. But unfortunately, the way America’s Got Talent portrayed Lee could have been better.

It is clear that Lee deserves the golden buzzer due to his singing and piano-playing abilities. However, all too often people with disabilities are made to be inspirational characters simply for having a disability, falling into the trap of “inspiration porn,” which assumes that disability itself is so terrible that the mere act of living a normal life with a disability is inspirational. Like anything that turns another human being into a simplified foil or object of pity, the ultimate result is to deny the complex humanity of the person with a disability.

The original title that America’s Got Talent used for the YouTube upload of the clip was “Kodi Lee Defeats Autism And Blindness With Music.” This title was problematic, to say the least. It implied that autism and blindness are burdens that need to be overcome. Disability is not a burden, rather, the societal obstacles that people with disabilities face are burdensome. Thankfully, the title was changed on YouTube to “Kodi Lee Wows You With A Historical Music Moment!” This puts the focus back on his talent. [continue reading…]

Netflix’s “Atypical” Creator Robia Rashid Honored During Opening Night

text in image: The Miracle Project presents: Identity: The Musical, an original musical created with and starring individuals with autism and of all abilities, May 23-May 26, The Wallis, Beverly HillsBeverly Hills, California, May 24 – In its premiere during the Evening of Miracles Gala, “Identity: The Musical” left audience members thinking about what being “perfect” actually means.

Written and performed by actors with autism and of all abilities, “Identity: The Musical” is set in an era where decisions are made by data, as “data sees everything,” leading to a person’s identity, including careers and spouses, being determined based on online habits, including social media check-ins and posts from their first 21 years of life. In this world of perfection, government has eliminated pollution, crime and poverty but also self-determination. This show imagines an alternative world in which everyone – regardless of ability – is forced to conform to pre-determined destinies based on this data collected from birth.

Many individuals with developmental disabilities and neurological differences are made to believe that their potential roles in society are limited and have been pre-determined by their diagnosis.

“Individuals with autism are so often labeled for what they cannot do instead of what they can do,” said The Miracle Project’s Founder Elaine Hall. “This musical is an allegory if everyone was labeled that way.” [continue reading…]

Shelly Christensen smiling

Shelly Christensen

For my house shall be a house of prayer for all peoples. Isaiah 56:7

The great disability rights advocate, Rabbi Lynne Landsberg, z’l’ said, “We don’t welcome people with disabilities because they have disabilities. We welcome them because they are people.”

Becoming a house of prayer for all peoples involves much more than an open door. As I was writing my new book, From Longing to Belonging—A Practical Guide to Including People with Disabilities and Mental Health Conditions in Your Faith Community, I wondered if there was more to this verse that might help people understand how important belonging is to people.

Synagogues often turn to Isaiah 56:7 which reads, in part, “my house shall be called a House of Prayer for all peoples.” I noticed that in all of the conversations and planning, synagogues and community organizations were focused on the process of HOW to be inclusive, but rarely considered asking people with disabilities how they want to feel – the critical sense of belonging—where their hopes, dreams, needs, and talents become central to “inclusion.” [continue reading…]

Washington, D.C., May 22 – “For every dollar spent, 10 cents should be put towards employing people with disabilities,” National Council on Disability Chairman Neil Romano advised RespectAbility’s National Leadership Fellows about disability inclusion.

This advice came from Romano’s many years as an advocate for people with disabilities, ranging from starting his own public relations firm, Romano & Associates (1988), being a member of the President’s Committee for People with Intellectual Disabilities (2006-2008), and serving as Assistant Secretary of Labor of the Office of Disability Employment Policy (ODEP, 2008-2009). Romano’s passion stems from being an individual with a disability himself. Romano is dyslexic and most recently has been diagnosed with cancer. [continue reading…]

Washington, D.C., May 20 – May is Mental Health Awareness Month, which aims to break the stigma surrounding mental health. Bedlam, a film that premiered at the 2019 Sundance Film Festival, breaks down this stigma while providing both important facts and relatable stories for all viewers. And this week previews of the film will be highlighted during WE RISE, a 10-day pop-up immersive experience that brings together Los Angeles’ diverse community to embolden individuals and families to find help, reach out to help others and demand systemic change in order to address the critical need for early intervention, treatment and care for mental wellbeing.

Mental asylums once were created with some good intentions but ended up leading to neglect and human warehouses. When these were closed, it shifted the care of people who are mentally ill from state governments to the federal government before shifting back to the states, which did not want control due to the cost. The result? On any given night, 350,000 mentally ill people sleep on the streets of America – 20,000 in Los Angeles alone. It is estimated that 25-50 percent of adults experiencing homelessness are chronically mentally ill. Jails and prisons have become America’s largest mental institutions.

In Bedlam, psychiatrist and filmmaker Kenneth Rosenberg takes viewers behind the scenes at a Los Angeles County Psych ER during a five-year period, unveiling disturbing realities for hundreds of thousands of homeless and the lack of care available for psychiatric patients. They often are warehoused in overcrowded jails where underequipped first responders provide the front line of care. [continue reading…]

Sponsors and Partners include Bunim/Murray Productions, Comcast NBCUniversal, The Walt Disney Company, Sundance Institute and more

five diverse women and one man standing and seated smiling for the camera

Top Row (L-R): Stephanie Thomas, Delbert Whetter. Melissa Yingst and Lauren Appelbaum
Bottom Row: Angela Rockwood and Andrea Jennings

Los Angeles, California, May 20 – Great entertainment requires authentic stories and genuine representation of all people. This includes diverse people with physical, cognitive, sensory, mental health and other disabilities. Hence, RespectAbility, the nonprofit that produced The Hollywood Disability Inclusion Toolkit, is thrilled to offer an innovative lab series for emerging entertainment talent, as well as a track for mid-level career professionals. This 5-week, nine-session summer lab program is for people with disabilities and/or strong disability connections interested in development, production and post-production, including careers as writers, directors, producers, cinematographers, animators and other production roles.

“What we see on screen influences how we act in real life, but that is dependent on filmmakers choosing to include individuals with disabilities in diverse and accurate portrayals, which then helps remove the stigmas that currently exist about interacting with individuals with disabilities,” said Program Director Lauren Appelbaum, who leads RespectAbility’s Hollywood Inclusion efforts as the organization’s vice president, communications. “One purpose of this program is to continue building the talent pipeline of young professionals with disabilities looking to work behind the scenes. We do not want anyone to have an excuse that they could not find a writer, editor or any other position with a disability.”

Several sessions will meet at various studios where program participants will have the opportunity to learn about possible career paths and have networking opportunities. Furthermore, entertainment professionals in positions of power to hire will meet a group of qualified individuals and potentially shift their mindsets in equity goals for hiring. After all, opening the inclusion umbrella is the right thing to do as well as economically smart given that the disability market is valued at more than $1 trillion. According to Nielsen Research, Americans with disabilities represent the third largest market behind Baby Boomers and the mature market. [continue reading…]

This week’s Shabbat Smile is by Rachel Kunstadt, a mental health advocate and self-advocate in NYC. Her presentation at our Empowerment Training for Jewish Women with Disabilities – entitled “Choosing Life!” – included a musical performance of a song she co-wrote, addressing her agoraphobia.

This past January, I became a Bat Mitzvah for the second time. Or maybe for the first time, depending on how you look at it.

Like every other 13-year-old at my conservative synagogue in Westchester County did that year, on January 11, 2003, I became a Bat Mitzvah. I chanted Torah and Haftorah and delivered a D’Var Torah, while my parents spent thousands of dollars on a party to keep up with the Steins.

I’m told it was a beautiful service, but I was so overcome with anxiety that it’s almost completely lost to me. I definitely don’t remember the party – because I didn’t go. I managed to stay about an hour before I had a massive panic attack. [continue reading…]

Watch The Village on NBC, Tuesdays at 8:00 p.m. ET.

View Resources for Veterans with Disabilities

New York, NY, May 14 – NBC’s new breakout show The Village explores relationships between family members and friends who become family in separate but interconnected stories. The ensemble drama also does not shy away from tackling important social issues, including immigration, teenage pregnancy and veterans returning from war with both physical and mental disabilities.

A major storyline focuses on Nick Porter (Warren Christie), a former 9/11 firefighter and Army veteran who returned home with PTSD and an amputated leg. One common criticism regarding the representation of veterans in television and film is the portrayal often is of broken veterans. Viewers will quickly learn that while Nick has several issues to work through, he certainly is not broken. In addition, too many characters with disabilities are portrayed through the pity framework; The Village does not fall into that trap and showcases what Nick can do. [continue reading…]

Israel has a lot to celebrate – and we can and should take the time to kvell. A big part of the success is how Israel leads the world on several key innovations when it comes to disability.

I know that you’ve likely seen ReWalk, the exoskeleton that enables people who are paralyzed to “walk”. But what you may not know is that recently five Israeli organizations were given awards at the United Nations for their breakthrough work on helping people with disabilities. How do I know this? I was honored to be there to accept an award on behalf of RespectAbilitity. However, one of the best parts of being in Vienna to accept our award was that I got to meet more than 30 unbelievably driven, giving and fantastic Israelis who are on the front lines of improving the lives of people with disabilities. Hence, I’d like to share information with you on these leaders and their groups so you can kvell!

Read more in e-Jewish Philanthropy

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