Hollywood Inclusion

Hard pavement blocks and dark satin silhouettes of city streets: Writer-Director Nikki Bailey’s Short, The Crossroad, starts somewhere in reality and ends exactly when any remnants of it cease to exist. For Bailey’s magical realism short, the story surrounds a mother who makes a bargain with a Satanic figure, “The Tall Man,” to ensure the survival of her unborn child. Bailey’s protagonist must promise her own soul to “The Tall Man” or face the eminent death of her baby.

The film feels like you’re being spooned by death. Bailey seems to ask the audience to cozy up to the inevitable and sit with her characters’ despair throughout much of the story. The pinnacle of that despair is when Bailey’s protagonist dies – after her daughter, the one saved by the original bargain, denies a second deal with “The Tall Man.” The cost of the deal, for the daughter, seemed too great of a burden. After all, the soul of her mother was ascertained from that kind of deal, why would the daughter engage with it again?

Though there are limits to what Bailey can show in a fourteen-minute film, the possibilities of this imaginative story leave the audience wanting more. The most ordinary of streets, for Bailey, can be the genesis for something unsettling and completely magical.

Watch The Crossroad on YouTube.

Oreo explores identity and nonconformity through four different black women’s experiences. The short film centers around the Ralph Waldo Emerson quote, “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” It looks at black identity through religion, class, race, and culture, and does so while bending genres with moments of dark comedy and surrealism. Cashmere Jasmine, disabled writer, director and RespectAbility Lab 2021 alum, strings together these four stories to create a complex and compelling conversation around identity and feeling rejected.

It opens with Jennifer (Ria Ridley) realizing she got her Black Card revoked and has to call the Black Bank of America to confirm her identity through a series of questions about the culture. She eventually loses her card when the “bank tellers” hear her country music in the background. This hilarious satire lays the groundwork for the rest of the short film and does so brilliantly. [continue reading…]

RespectAbility 2021 Lab Alumna and Unstoppable Film Festival Founder Juliet Romeo’s short film Cooptation follows a young African American woman determined to fit into society’s beauty standards by using a new beauty product with deadly consequences. 

Cooptation’s opening credits are filled with melancholic shots of night life as we hear the hauntingly beautiful song “I’ll Understand” by Roza.

The music then changes to a more upbeat coffee shop tune as we see an African American beauty brand ambassador named Dove putting red lipstick on in front of a mirror. She is in the middle of a FaceTime call with her best friend Opal, when she talks about a new skin serum called “Snow White” that she’s been trying out. “Snow White” is branded as a solution to fading away all your dark spots.

Opal voices her reservation towards Dove using the product, saying that it doesn’t “sound Black-owned or operated,” but her concerns are quickly brushed off. Opal champions Dove’s appearance, saying that her natural beauty and intelligence is radiant enough, and doesn’t need any beauty product to blemish it. [continue reading…]

Filmmaker, screenwriter, activist, community organizer, volunteer, trailblazer. Tameka Citchen-Spruce (she/her) has accomplished a lot in her 15+ years of disability advocacy—and she shows no signs of slowing down.

Born in Detroit and raised in Oak Park, MI, Tameka got into a car accident at six months old that left her paralyzed from the mid-chest down, also called a T2 spinal cord injury, which requires her to use a wheelchair. She relied on her community for support, which proved challenging as a Black and disabled woman in the Midwest.

“My parents raised me to be ‘durable’ and exposed me to everything, so I was never sheltered growing up,” Tameka said. “But, you know, it was hard for me to accept my disability.” She was the only Black girl and wheelchair user at school. She dealt with colorism, ableism, racism, and faced ignorance from some church members who “eagerly pray[ed] for God to heal [her].”

It wasn’t until Tameka participated in—and won—Ms. Wheelchair MI 2006 that she took charge of her story. [continue reading…]

Park City, Feb 5 – Feature-length films that premiered at Sundance such as Is There Anybody Out There?, Still: A Michael J. Fox Movie, and The Tuba Thieves, as well as a number of shorts, explicitly included elements of disability and deafness throughout. However, several additional films featured casual inclusion of disability, which also helps to normalize having a disability in society.

For example, a teenage camper in Theater Camp uses a power wheelchair. We see him both in a montage while auditioning for a show, and later rolling through camp. He is portrayed similarly to other campers. In Slow, contemporary dancer Elena (Greta Grinevičiūtė) meets Dovydas (Kęstutis Cicėnas), who’s assigned to interpret for her class of deaf youth. While the film is not about this class but rather their relationship, the casual inclusion of this class helps normalize deaf students. In Magazine Dreams, aspiring professional bodybuilder Killian Maddox is a caregiver for his disabled grandfather. In a documentary about Little Richard, viewers learn that he had limb differences, mental health conditions, and later on in his life, became a wheelchair user. And in Chanshi, a series about a young Jewish Orthodox woman finding herself, mental health is discussed.

With one-in-five people having a disability in the U.S. today, the lack of representation – just 2.3 percent of characters in the 100 top-grossing films of 2019 and 8 percent in family films – means that millions of people are unable to see themselves reflected in media. While none of the films mentioned above are about disability, the casual inclusion of disability in them is important. [continue reading…]

Courtesy of Sundance Institute

Los Angeles, Feb. 3 – A fiery escapism into the world of Little Richard, Director Lisa Cortés’ vision for storytelling is on excellent display throughout this entire documentary. We explore a side of Little Richard that even an avid fan myself found so much more insight and genius in who Little Richard was. The true pioneer and King of Rock N’ Roll, Little Richard inspired and launched the careers of so many legendary artists today such as Jimmy Hendrix, James Brown, Mick Jagger, The Beatles and more. Little Richard: I Am Everything premiered Jan. 19 at the 2023 Sundance Film Festival.

Little Richard explores his disabilities early on in the documentary, mentioning his limb differences, mental health, and later on in his life, becoming a wheelchair user. It was great to see Little Richard’s upbringing, getting a closer look on his journey and how early in his childhood he’s identified his gift through music. However, Little Richard went deeply into the things that he was struggling with. Whether it’s spiritual mortality, his musical legacy, getting the credit he deserved, or his sexuality in public spaces, you get a deep dive into Little’s Richard’s thoughts, regrets, perspective, and more.

CNN Films sold the rights to Little Richard: I Am Everything to Magnolia Pictures at Sundance, with plans to release the documentary in April. This is a much watch and I am looking forward to a chance of being able to see it again once released.

Courtesy of Sundance Institute | photo by Glen Wilson

Park City, Utah, Feb 3 – “Magazine Dreams” is a 2023 American drama film written and directed by Elijah Bynum in which Jonathan Majors portrays a shy, grocery store clerk, Killian Maddox, an aspiring professional bodybuilder determined to dream big and reach his goals. “Magazine Dreams” is a heavy film, there will be scenes that are tough to process and moments where you’re taken deep into Killian’s reality. A beautifully shot film with amazing visuals, a well told story, and great performances across the board from its actors, the film premiered January 20, 2023, at Sundance Film Festival.

Disabilities and mental health play a huge role in “Magazine Dreams,” as Killian is a caregiver for his disabled grandfather while dealing with his own therapy sessions, anger, childhood traumas, and psychosis. Did I mention anger? Killian’s rage is a constant theme within the story, and it never fails to amaze me how far the character goes when triggered, catching the entire audience by surprise. Part of the anger stems from Killian’s use of steroids, which he injects on the regular as he works to create the perfect body for himself. No matter what situation Killian found himself in, his “Hulk”-like anger was the root of it every time. This surprised me in one scene where a failed date went wrong. Killian took a new route in this scene and handled it quite graciously, although his previous behavior and difficulty picking up on social cues were the reason the date failed. [continue reading…]

Photo Credit: Lauren Desberg and Slamdance

Salt Lake City, Feb 3 – Juliet Romeo (she/her) is a disabled filmmaker based out of Miami, Florida. Along with being a creative (and 2021 Respectability Lab alumna), Romeo is an advocate for disability representation on screen and accessibility at film festivals. She is the founder and a programmer for Slamdance’s Unstoppable. Unstoppable features films made by filmmakers with visible and invisible disabilities and is exclusively programmed by people with disabilities. This year, Unstoppable held its first in-person showcase while continuing to stream online as it did the previous two years.

During a discussion about her journey to Unstoppable, Romeo recalled a time in 2015 when she was working on her documentary chronicling her personal journey with disability and decided to go to her first film festival. It was the “first time taking a trip where it wasn’t conducive to my disability.”

In the years following, her experiences at film festivals became increasingly worse and she thought there must be a way to step up festivals differently. When her film went into the festival circuit in 2019, she hoped that she would be able to have influence over the accessibility at the festivals that accepted her film. When that didn’t happen, she began writing a proposal for an accessible festival and told a friend the next time I go to a festival “it will be because I have a platform. People will be asking me to speak. People will be driving me door to door.” Four years later, those very things happened at Slamdance. [continue reading…]

Courtesy of Sundance Institute.

Washington, D.C., Feb 3 – In her film Slow, which premiered at the 2023 Sundance Festival, writer/director Marija Kavtaradze offers a tender study of two messy people’s humanity. Contemporary dancer Elena (Greta Grinevičiūtė) meets Dovydas (Kęstutis Cicėnas), who’s assigned to interpret for her class of deaf youth. As their connection deepens, Dovydas discloses that he’s asexual—which takes Elena by surprise. The two individuals then enter a relationship dance testing their boundaries and definitions of sexuality, intimacy, and love.

The film’s analog style is mesmerizing. The slight grain and muted pastel colors evoke nostalgia of a first love, which Kavtaradze emphasizes through her pared-down filmmaking approach. By focusing on the way the body moves through its environment, the film creates raw, honest moments and forces viewers to pay careful attention to Elena and Dovydas’ exchanges, such as their body language, facial expressions, and tone. Otherwise, the audience could miss subtle hints of the character’s feelings. A flicker of sorrow, moment of hope, flash of annoyance. [continue reading…]