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Television Academy: Diversity Inclusion Includes Disability

back view of a young man watching a big tv panelLos Angeles, Calif., Sept. 25 – As diversity takes on a more important focus in Hollywood, disability is gaining prominence as four shows, two new, premiere this week: Young Sheldon (Season One) on CBS and The Good Doctor (Season One) on ABC tonight, This Is Us (Season Two) on NBC on Tuesday and Speechless (Season Two) on ABC on Wednesday evening.

Every season, networks premiere new shows in hopes of increasing their viewership. In recent years, the fight for ratings has included the need for expanding diversity – with shows like Black-ish receiving eight Emmy nominations in the past two years, including for Outstanding Comedy Series both years.

Yet while there has been an increased focus on diversity when it comes to race, gender and sexual identity, the same has not been true for disability. Shows like Young Sheldon and The Good Doctor show the trend may be changing.

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Born This Way cast members posing with RespectAbility staff members and Rep. Brad Sherman

RespectAbility President Jennifer Laszlo Mizrahi, Born This Way Cast Member Sean McElwee, RespectAbility Communications Director Lauren Appelbaum. Born This Way Cast Members Steven Clark, Cristina Sanz and Megan Bomgaars, Rep. Brad Sherman, Born This Way Executive Producer and RespectAbility Board Member Jonathan Murray

Brad Sherman speaking at the microphone with a RespectAbility banner behind him

Participants during RespectAbility’s “Workforce Development” session discuss how to move the needle on the employment rate of people with disabilities in Los Angeles, California and the country. All participants had an opportunity to share ideas during roundtable discussions, as well as in follow-up surveys and conversations. Rep. Brad Sherman attended the session, listening to the ideas presented by all who attended.

Washington, D.C., June 1 – Rep. Brad Sherman, the 10-term Congressman, is known as a serious legislator. So what is he doing in a reality show made by the same company that created Keeping up with the Kardashians, Rob & Chyna and Total Divas?

The reason is simple: he cohosted a major event in his district with Emmy-winning reality-TV innovator Jonathan Murray (executive producer of the shows listed above, in addition to Real WorldBorn This WayAutism the Musical and others) and former President George W. Bush appointee on disability issues, Steve Tingus.

The event, entitled “Ending Stigmas & Bigotry: Expanding Employment for People with Disabilities,” was presented by Sherman working in partnership with RespectAbility, a nonprofit organization fighting stigmas and advancing opportunities for people with disabilities. Both Murray and Tingus are on the board of RespectAbility, whose president, Jennifer Laszlo Mizrahi, and communications director, Lauren Appelbaum, also are featured in the episode.

Participants in the event included stars from the cast of Emmy-winning reality show Born This Way, which features seven diverse young adults with Down syndrome, as well as other individuals with Autism, multiple sclerosis, spina bifida, physical disabilities, amputations and non-visible disabilities. Local experts, including Cathy Gott, Elaine Hall, Sandra McElwee, Joclynn Benjamin and others also participated. Together, participants brainstormed new ideas to move the needle forward on the employment of people with disabilities in a shared agenda. The congressman facilitated these discussions.

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Identifying Models of Success

Fighting Stigmas & Prejudices: Connecting People, Making it Happen in Hollywood

Standing up against ableism and other prejudice while promoting positive, accurate, diverse and inclusive media portrayals on TV and in film

RespectAbility is working on changing the narrative in Hollywood to ensure accurate and positive cultural media portrayals of people with disabilities. We partner with leaders in the entertainment industry on the full inclusion of people with disabilities, both in front of and behind the camera, and we continue to look for more partners to help move the needle on two core issues: inclusion and diversity in Hollywood and the employment of people with disabilities. [continue reading…]

Two Categories to Watch: Visual Effects and Full-Length Documentary Nominations Include People with Autism

Academy Award Oscar Statuettes

Photo by Toby Canham/Getty Images

Los Angeles, Calif. – As Hollywood gets ready to celebrate the Oscars this weekend, a glaring omission of nominees is evident. No known actor with a disability was nominated for an Academy Award. By not including authentic disability in the diversity conversation, Hollywood leaves out the largest minority in the U.S.

“Hollywood has to catch up with its audience,” RespectAbility President Jennifer Laszlo Mizrahi said. “Diversity must really mean diversity – and that includes the one-in-five Americans who has a disability. Disability needs to be a part of every conversation on diversity. When films and television shows lack the inclusion of disability in their diversity efforts, Hollywood is disenfranchising the one-in-five Americans who have a disability.”

However, there are two examples of importance in this arena. Behind the scenes, Marvel’s Doctor Strange has been nominated in the category of visual effects. Two of the individuals who contributed to this cinematic technology, Jacob Fenster and Noah Schneider, have autism and currently work at Exceptional Minds Studios in Sherman Oaks, California. Marvel Studios is planning to partner on 15 more movies with Exceptional Minds, a nonprofit vocational school and working studio that prepares young adults on the autism spectrum for careers in digital animation and visual effects.

Additionally, Life, Animated was nominated for the full-length documentary category. The film shows how Owen, a young man with Autism who was unable to speak as a child, and his father are able to connect using Disney animated films.

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Academy Award Oscar Statuettes

Photo by Toby Canham/Getty Images

Rockville, Md, Jan. 24 – Of the nine films nominated for Best Picture, four have themes or sub-plots related to disability.

For example, Manchester by the Sea includes themes of mental health, alcoholism and drug use. Likewise, Moonlight includes story lines surrounding drug addiction. Arrival, a science-fiction film, includes a child who dies from cancer.

Fences, a film that has received multiple accolades for its racially diverse themes, also includes a disability storyline. Lead character Troy Maxson (Denzel Washington)’s older brother Gabe Maxson (Mykelti Williamson) sustained a traumatic brain injury (TBI) during World War II. Children in the neighborhood often torment Gabe. When Troy bails Gabe out of jail for disturbing the peace, Troy unknowingly signs a paper that routes half of Gabe’s pension to a psychiatric hospital, forcing Gabe to be institutionalized.

Williamson does not have a disability himself, which is quite common when it comes to casting actors portraying people with disabilities. The Ruderman White Paper on Disability in Television found that non-disabled actors on television play more than 95 percent of characters with disabilities.

When asked by the Los Angeles Times about playing the role of someone with a TBI, Williamson acknowledged the many variables and “different levels of injury and effect” of someone with a TBI.

In the full-length documentary category, Life, Animated, a film about Owen, a boy with Autism, was nominated. The film shows how Owen, a young man who was unable to speak as a child, and his father are able to connect using Disney animated films.

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This event is now full. Please contact laurena@respectability.org to be informed of future events.

RespectAbility, a national nonprofit organization fighting stigmas and expanding opportunities for people with disabilities, has been working with several partners within the entertainment industry on the full inclusion of people with disabilities – in front and behind the camera.

We would like to invite you to an event specifically for showrunners, creative executives, writers, casting directors, talent agents, actors and others within the creative world of Hollywood at Rep. Brad Sherman’s office on Feb. 21, 2017.

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Meryl Streep standing behind a microphone smiling. She is wearing a black dress with many colorful, light-reflecting jewels.

Meryl Streep delivering her Golden Globes acceptance speech

Washington, Jan. 9 – RespectAbility, a national nonprofit organization fighting stigmas and expanding opportunities for people with disabilities, thanks Golden Globe lifetime achievement award-winner Meryl Streep for talking about the importance of not making fun of people with disabilities.

“Disrespect invites disrespect; violence incites violence,” the winner of the Cecil B. DeMille Award said during her acceptance speech. “And when the powerful use their position to bully others, we all lose.”

President-elect Donald Trump fired back via Twitter, calling Streep “over-rated” and “Hillary flunky who lost big.”

RespectAbility, while grateful to Streep for “talking the talk,” challenges her to “walk the walk.”

“Now I hope that Meryl Steep will use her power and influence to ensure that television and movies include people with disabilities with accurate and positive portrayals,” RespectAbility’s President Jennifer Laszlo Mizrahi said. “Think about it – according to the U.S. Census, almost 1-in-5 of us has a disability. Yet according to GLAAD, fewer than two percent of scripted television characters have disabilities. For all the hundreds of shows on television, we are talking just 15 characters!”

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Washington, Sept. 8 – Only 2.4 percent of all speaking or named characters in film were shown to have a disability in 2015, according to a new report by The Media, Diversity, & Social Change (MDSC) Initiative at USC’s Annenberg School for Communication and Journalism, Inequality in 800 Popular Films.

This statistic is not representative of the number of Americans with a disability, which is one-in-five, or 20 percent.

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Washington, Sept. 8 – Only 2.4 percent of all speaking or named characters in film were shown to have a disability in 2015 and none of the leading character were from underrepresented racial or ethnic groups, according to a new report by The Media, Diversity, & Social Change (MDSC) Initiative at USC’s Annenberg School for Communication and Journalism, Inequality in 800 Popular Films.

This statistic is not representative of the number of Americans with a disability, which is one-in-five, or 20 percent. Furthermore, as the report points out, “the portrayal of characters with disability is out of line with population norms in the U.S.” in terms of representation of other demographics – gender, race/ethnicity and LGBT status.

“Depictions of disability are not only marginalized,” the report says, “they also obscure the true diversity of this community.”

[continue reading…]

Washington, Sept. 8 – Only 2.4 percent of all speaking or named characters in film were shown to have a disability in 2015 and none of the leading character were from underrepresented racial or ethnic groups, according to a new report by The Media, Diversity, & Social Change (MDSC) Initiative at USC’s Annenberg School for Communication and Journalism, Inequality in 800 Popular Films.

This statistic is not representative of the number of Americans with a disability, which is one-in-five, or 20 percent. Furthermore, as the report points out, “the portrayal of characters with disability is out of line with population norms in the U.S.” in terms of representation of other demographics – gender, race/ethnicity and LGBT status.

“Depictions of disability are not only marginalized,” the report says, “they also obscure the true diversity of this community.”

[continue reading…]

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