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Hollywood Inclusion

Divas in the City Offers Window Into Lives of Five Disabled Black “Bosses”

headshots of the five black women with disabilities who are part of the series Divas in the CityThe new unscripted digital series Divas in the City follows five disabled Black women whose tenacity and creativity make them bosses in their respective cities. Professional and playful, serious and sassy, these women with physical disabilities are trendsetters in fields ranging from fashion to the arts to the nonprofit sector.

The series is the brainchild of the show’s executive producer, Dr. Donna Walton, founder/president of The Divas With Disabilities Project (DWD), a nonprofit that provides women and girls of color with physical disabilities with unique opportunities to shape how disability is portrayed in mass media.

“I was moved to create Divas in the City because representation matters—especially for Black women with disabilities,” Walton told Disability Belongs™. “Too often, our stories are left out of mainstream media, and when we do appear, it’s rarely in a way that reflects the full depth and richness of our lives. I wanted to change that.” [continue reading…]

Jurassic World: Chaos Theory Season 3 Explores Life with a Prosthesis and Importance of Choice in Access Needs

Brooklyn looking at her prosthetic hand in a scene from Season 3 of Jurassic World Chaos TheoryAfter Season 2 of Jurassic World: Chaos Theory explored how Brooklynn survived a dinosaur attack and was living as an amputee, Season 3 allows Brooklynn to explore using – and not using – a prosthesis.

The show handles Brooklynn’s disability brilliantly. She doesn’t need help, and she doesn’t need sympathy. She is completely capable of achieving her mission with or without the prosthetic arm. While it takes Brooklynn some time to get used to her prosthesis, she ultimately learns it is not required for her to be her full self, nor does it hinder her mission to take down Santos, the villain of the story.

“Getting a prosthesis is a personal decision that Brooklynn doesn’t get the chance to make when it’s given to her this season,” Kiersten Kelly (voice of Brooklyn) shared with Disability Belongs™. “Not knowing anything about prostheses, she’s pushed to adapt quickly and discovering ways the device can be useful to her and the different comments people give when wearing a prosthesis all while not knowing if she wants it. We see Brooklynn dealing with a lot of complex feelings, with the most important one being that she didn’t get to decide if it was right for her.” [continue reading…]

Sheridan O’Donnell Hopes His New Documentary Rising Phoenix: A New Revolution Will Start More Conversations Among Disabled and Non-Disabled Communities

“The biggest barrier to change is this tiny sliver of fear that people have surrounding disability, and I made this film to push people over that barrier.”

key art for Rising Phoenix with person in a wheelchair at the bottom of an escalator looking up towards the topThe new documentary Rising Phoenix: A New Revolution grabs viewers’ attention from the opening, pulling both disabled and nondisabled audiences in to become immersed in a world full of authentic disability representation.

The film is directed by Sheridan O’Donnell, who was diagnosed with a degenerative eye disease while having an active career as a filmmaker. This has slowly rendered him legally blind. Trying to navigate this new world of being disabled, O’Donnell seeks out accomplished disabled individuals from multiple sectors and walks of life, and highlights their struggles, and eventual achievements. The point of O’Donnell’s film is not to showcase these achievements in spite of disability; rather, he showcases these achievements in spite of the social perception, lack of access, and lack of understanding that too often befalls the disability community.

With a goal of redefining the world’s image of disability, the film features a variety of disabled individuals including actor Lauren Ridloff (Eternals), Paralympic Gold Medalists Ezra Frech (Track and Field) and Anastasia Pagonis (Swimming), filmmaker Jim LeBrecht (Crip Camp), MTA Chief Accessibility Officer Quemel (Q) Arroyo, Valuable 500 Founder Caroline Casey, and more. [continue reading…]

Jessy Yates Talks PULSE and Authentic Representation with Disability Belongs™’ Entertainment and Media Fellow and Actor Aaron Potter

Jessy Yates and four of her co-stars on Pulse in character in the hospital in a scene from the show

Image Credit: ANNA KOORIS/Netflix © 2024

Netflix’s new medical drama PULSE takes the genre to a place that feels refreshing and exciting. Filled with an exceptionally talented ensemble cast of complex and endearing characters, PULSE takes viewers through an intertwining narrative that’ll have you reaching for the clicker to play the next episode the second the credits start rolling.

Viewers should prepare for an emotional ride through countless well-written story arcs, like the questionable behavior of Dr. Tom Cole (Jack Bannon), the weight of consequential decision making by head of surgery Dr. Natalie Cruz (Justina Machado), the unlikely friendship blossoming between Dr. Camila Perez (Daniela Nieves) and Dr. Sophie Chan (Chelsea Muirhead), and a good ol’ fashioned love triangle between Dr. Danielle Simms (Willa Fitzgerald), Dr. Xander Phillips (Colin Woodell), and Dr. Sam Elijah (Jessie T. Usher) that’ll leave viewers wanting more. [continue reading…]

Finding What Matters in Donkey Hodie’s “Hee-Hee Hider Seekers:” A Conversation with Consultant Sam Krauss

still of Jeff Mouse from Donkey Hodie, a blue mouse puppet who uses a wheelchair. there are orange and yellow leaves in the background behind Jeff.

Jeff Mouse

After hearing how excited Samuel Krauss was for people to meet Jeff Mouse, I went into this episode of Donkey Hodie with high expectations. Donkey Hodie is an Emmy®-winning puppet series inspired by the funny, quirky side of Fred Rogers produced by Fred Rogers Productions and Spiffy Pictures for PBS KIDS. Knowing that Krauss, an alumnus of the 2022 Disability Belongs™ Entertainment Lab and the 2023 National Leadership Program, consulted on the episode gave me a lot of hope for the quality of disability representation, and I was not disappointed.

In this preschool series inspired by characters created by Fred Rogers, Donkey Hodie and her friends Bob Dog, Purple Panda, and Duck Duck empower kids to dream big and overcome obstacles in their own lives.

The show is introducing a new character – Jeff Mouse – in a new episode called “Hee-Hee Hider Seekers.” Jeff Mouse is an intrepid explorer and avid nature lover. He was born with congenital muscular dystrophy. Jeff is named in honor of Jeff Erlanger, a young guest who appeared on Mister Rogers’ Neighborhood in 1981. In this episode, Jeff and Purple Panda both use accessibility tools to help them on their adventure. Jeff’s grabber and binoculars and Panda’s telescope are all shown as just part of how the characters experience the world. For young viewers, seeing such tools framed as everyday supports destigmatizes them and builds early disability awareness, acceptance, and advocacy. [continue reading…]

“The Invalids” Warns of the Consequences of Inspiration Porn

“These contestants inspire us not to take things for granted. So please, enjoy the show!”

“The Invalids” is a short film written, directed, and edited by Chrissy Marshall (2023 Disability Belongs™ Entertainment Lab alum) which threads the needle in depicting the exploitation of people with disabilities for a non-disabled audience while also centering disabled characters. Set in a dystopian future that combines the coercive game show elements of “Squid Game” with the unflinching contrast between the haves and have-nots of “The Hunger Games,” we follow Erin and Mira as they try to survive clinical trials. [continue reading…]

“Do No Harm” Puts the Impact of Medical Neglect Front and Center

“If you do this, you’re just as bad as you think I am.”

“I’m worse.”

“Do No Harm,” directed by Aiden Keltner and starring creator, writer, and producer Fay Kanesvsky as Heather, highlights the damage caused by medical sexism, neglect, and ableism in just five minutes. Disability Belongs™ Entertainment Lab Alumna Liz Galalis was one of three writers who worked on the project. [continue reading…]

“Don’t Take This the Wrong Way” Explores the Exhausting Narrative of Always Feeling “Wrong”

Microaggressions are unfortunately something many people are familiar with, the disability community included. Constantly navigating uncomfortable conversations with strangers, and sometimes even people close to us. But what happens when constant verbal combat becomes too much? “Don’t Take This the Wrong Way” explores this question, telling the story of how this emotional toll leads to unraveling for the main character, Darcy. [continue reading…]

Discomfort Sits Alongside Comedy in “Forward Thinking”

poster for Forward Thinking which screened at Slamdance 2025. the abstract poster art has two of the film's supporting characters appearing inside of the main character's head which is sliced into multiple layersWatching “Forward Thinking” feels like peering into an off-kilter, adjacent reality.

The film opens on a crowded bulletin board, with a tan-colored flyer sitting front and center of the frame. The flyer, written using friendly Comic Sans, is titled “Coffee with Cops,” and offers the chance to meet with officers at a local park “at 2 p.m. this Friday.” It features photos of two smiling white cops – one woman, one man – with speech bubbles hanging over each of their heads. The former’s reads: “We don’t all have domestic assault allegations;” the latter’s “Grab a cup o’ joe with the guy that put away your favorite schmo!”

Cut to James, a black man, looking at the flyer with an expression that shifts between surprised and perplexed. [continue reading…]

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